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settembre 24, 2020 - MAK Museum

MAK presents third pop-up exhibition in the context of the series CREATIVE CLIMATE CARE: 'Chien-hua Huang. Reform Standard'


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Chien-hua Huang: Reform Standard MAK presents third pop-up exhibition in the context of the series CREATIVE CLIMATE CARE, a cooperation with the University of Applied Arts #vienna Opening Tuesday, 8 September 2020, starting at 6 p.m. Exhibition Venue MAK GALLERY MAK, Stubenring 5, 1010 #vienna Exhibition Dates 8 September – 4 October 2020 Opening Hours Tue 10 a.m.–9 p.m., Wed–Sun 10 a.m.–6 p.m. With his pop-up exhibition Reform Standard at the MAK, architect and designer Chienhua Huang presents a possible contribution artificial intelligence could have towards realizing the utopia of a circular waste economy. Based on drawings, actual models, and videos, he introduces an innovative search process driven by machine learning in the context of the third exhibition of the series CREATIVE CLIMATE CARE, a cooperation between the MAK and the University of Applied Arts #vienna: Based on a materialinformed #design cycle, waste could be transformed into potential resources. Chien-hua focuses on standardization which occurs to a large extent in all industrial sectors. This has considerable advantages with regard to profitability and organizational efficiency. However, one-sided processes and homogenous input produce further waste and brownfield land. The designer states that “a certain degree of flexibility concerning standardization, a counter-process, ‘de-standardization’ by means of artificial intelligence would enable an alternative workflow to ultimately make a circular waste economy feasible.” The title of the pop-up exhibition refers to a research project of the same title in the context of which Huang developed a search algorithm driven by machine-learning. By means of reinforcement learning and automatic image processing, the tool designs new structures. Irregular pieces of plastic are transformed into a new form. Rather than recycling this waste in an energy-intensive process, the search engine finds a new machine-oriented aesthetics in neglected pieces of waste. Reform Standard not only refers to revitalized waste but views the life cycles of materials holistically. Thus, a circular #design process develops which can revolutionize the definition of “zero waste” and “resources.” Furthermore, the perception of waste is visualized in Reform Standard: A series of drawings shows how differently humans and machines perceive waste and which potential is consequently lost or also gained. It becomes evident that human vision, i.e. the conventional perception of waste, is limited to learned social or personal criteria which we apply to classify the objects before they have turned into waste. This is contrasted by vision formed in a data-oriented way (“machine vision”). Artificial intelligence analyses and classifies shapes and material compositions. What is seen is grouped without biases regarding the “value” of the waste. The search power of computers has the potential of “objectifying” human perception of waste. A further section of the exhibition provides insights into the development of project Reform Standard by presenting architectural models. Thereby, construction, sorting process, and the algorithms’ alternative solution compared to human perception are made transparent. A seven-minute video installation shows the creation of a plastic shell as an example of successful recycling of plastic waste and a closed #design cycle. #chienhuahuang completed his graduate degree in “Architecture: Architectural #design 2,” headed by Prof. Greg Lynn, at the University of Applied Arts #vienna in 2020. The architectural designer and #design researcher works in Taipei and #vienna. With the exhibition cooperation CREATIVE CLIMATE CARE, the MAK and the University of Applied Arts #vienna are giving five graduates of the University of Applied Arts selected by a jury the opportunity of each exhibiting in the MAK GALLERY for three weeks. The series addresses the contribution of #design, architecture, and art towards the development of a new mindset for active climate care and is simultaneously also the starting point for the MAK GALLERY to permanently perform as the CREATIVE CLIMATE CARE GALLERY in the future. CREATIVE CLIMATE CARE started off with Florian Semlitsch and Sophie Gogl. Chienhua Huang will be followed by works by Martina Menegon and Antonia Rippel-Stefanska.


Chien-hua Huang. Reform Standard


MAK presents third pop-up exhibition in the context of the series CREATIVE CLIMATE CARE, a cooperation with the University of Applied Arts Vienna


8 September – 4 October 2020

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